In defence of heterogeny

Why doubt purity?
As if anything beyond a quark
Is in and of itself alone
As if essence were not a judgment
As if some notion, come to rest in a brain
Came bolting from divine dispatch
As if a single idea
Can express the contradictions
Of matter and spirit

Purists fling darts
From the comfort of the bubble,
Close ranks against orthodoctaroons
Remove splinters with exquisite surgery
All the while resembling utterly
The objects of their disdain

The truth is
The sum of our differences vanishes
Beside the sum of our sameness.

Review: Short breve with an extra shot

Just the right amount of insouciance
With earthy overtones, and ripe plump honey
Cocoa orchid cloves, with a clean finish.

Echoes of Bedouin twig fires
A trace of Sheba at the margins
And – I’m quite certain – a hint
Of wild goat on the Ethiopian highlands,
Of pomegranates shared willfully
In the caressing, endless night

Of tribal justice,
Of Bantu, Arab, and Chinese
Exchanging wisdom and profit,
Prophets, peace be upon them,
Be damned, at the trading table,
Of long years of captivity and release,

And captivity again, burning like hunger,
Shining like anger.
Of God and injustice, all blind
To the anguish of the children
He claimed as his own.

Perfect tender bitterness
Exchanged for the bitterness
of slaves on the sugar plantation,
Of generations’ riven ancestry
Evolved into the pathos of poverty.

Then, floating like some cup-bound cloud
Above the serene acidity,
Rich, billows of silky cream,
With traces of Swiss mountainside,

Or the Dells of Wisconsin,
Ancestral hunting grounds
Usurped for pasture,
Where the descendants of wild oxen
Empty their swollen udders,
Raw as a farmer’s neck in autumn.

Precision

The precise forces of living
Hinge on a paper-thin reality
Behind which lurk the illusions
We work so hard to uncover

The precise moment of discontinuity
Comes when we discover
That a lifetime of regrets
Is only a simple misunderstanding

The precise inclination of a heart
Determines the difference
Between love
And death

Haibun: Cabbages

From the archives, with added background. Perhaps I’m getting lazy, but I saw this with new eyes; I hope you will, too.

Mikels Skele's avatarexiles child

First posted January 2, 2012; augmented today.

I’ve been thinking lately of Barriss Mills, with whom I spent many pleasant afternoons discussing his always future kitchen remodeling plans, and watching him grind coffee in his ancient hand-crank machine, then drinking it with him.  After his retirement from his long career of teaching English literature, he spent time rereading all the classics he taught for decades, and discovered he’d missed teaching his students the most important aspect of them: they’re, above all, damned good stories, well told.  He’s long since gone now.  Concerning poetry, he once told me he’d rather write about cabbages than loftier subjects, which he found rather dreary.  It inspired me to write this haiku.

Forlorn cabbages
In the refrigerator
Silent witnesses

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Insignificance

I read great poets, great beacons,
Their eyes so keen,
Their voices clear as sunlight
With a winter slant, harsh,
But welcome all the same.

Personally,
I’ve grown used to irrelevance,
Come to prefer it.
My history of judgment
Is spotty, at best
My place in the grand confusion
Of existence
Is in the chorus,
Oblivious,
One small voice
Bleating among many,
One fading light
In the great kaleidoscope,
Whispering, more than declaiming,
Twinkling, more than illuminating.

But it’s me, inaudible at times,
Barely discernable,
Me