Elegy

A few weeks ago, I learned of the death of an old friend and colleague. He was a tumultuous man, difficult and contradictory, both principled and unscrupulous, brilliant and thick-headed, generous and vindictive in equal measures. In the end, he drove us all away, friend and foe alike, though some feelings for him remained. I wrote an obituary, then threw it away. They say dreams are for words unsaid and deeds undone. In such a dream last night, this elegy came to me.

Rest in peace? They must be joking.
When did you ever crave the thick, sweet
whine of peace?
I still see you, in the field,
booming, incredulous, lashing the storm
for its impudence.

Sail well, my friend.
Stay in the rain.
Stay in the wind.
Steer your fragile barque
into the beckoning wild.

Autumn falling

In abrupt autumn
one sees much of expectation
wither and dissipate
as if never taken seriously,

as if intentions of good will
and promises of productive labor,
— all leaving of self in favor of virtue —
gone like a good but tardy
glacier, dim and dry,
parsed to the death.

What remains is that wispy thread,
barely traceable, but more real and reliable
than all the will gathered in all the
small rooms and resolutions of change,

the thread that runs umbilical,
winding though good or ill,
tying together all the disparate selves
pasted together in the course of a life.

In this suddenly strange autumn,
in this fall, it is the unreality
that glows, beacon-like,
though, in the end, what you remember
is that carnal you,
that piece of protoplasmic geometry.

And you ask yourself, is that me?
And yet, there is memory, inconstant,
but persistently convincing.

I understand the consciousness of others,
the subjectivity of their being,
but not my own,
not my own.

Haibun: poetry

What use is poetry? You can’t drive a nail with it. You can’t heat your house, shoe a horse, build a dam, or pave a street. It’s no good for sewing, sawing, swinging, or finding your keys in the dark. If you’re a baker, soldier, mechanic, farmer, gravedigger, or physician, poetry doesn’t get the job done. Does poetry clean, cut, weld, braise, fry, or distill? Design a plane, accumulate capital, build a stadium? Fat chance. About the only thing I can think of that poetry is good for is changing everything.

“Words,” said Sensei,
“Cannot burn your tongue,”
Spitting ashes.

Time

Time augers deeply
Its worm-like whim astride
The face of meaning
Blinking wild and faring well
Over chain and bell alike

I think of you
Tethered like that
To your holy ghosts
Those wraiths that wrap your dreams
And fail the promises abandoned
So long ago, all those fine illusions
You love so well

Let go, let collapse
Envelop you
Your grasp contains nothing
But helplessness
Let go

I heard of a shaman

I heard of a shaman
Who learned a peyote song
From the generator of his car
On the way to the ceremony
At which he sang full throated
The lesson of the Burning Way