Late March,

sunny, chilly, the wind brisk but toothless.
March, as March should do, marches on,
winter grudging every degree of discomfort displaced.

On mornings like this I used to walk the railroad tracks
past factories in the low piercing light
kicking up dust, examining the artifacts left by passing trains —
bottles, bean cans, scattered pages of illegible text,
and the occasional leg bone of a vanished
furry animal, hobbled off or eaten whole.

I was looking for anything new, it didn’t matter what.
There would be sudden neighborhoods,
unfamiliar soil, sometimes a pool hall,
a secondhand store,

or a diner. I would sit and imagine
what it would be to live there, to always order
the same lunch, to indulge in idle
ruminations with the help.
In the long, slow afternoons I would watch
them fill the rows of ketchup bottles
on the counter and the tables.

Always filling, never washing.
It occurred to me that at the bottoms
of those bottles lay the remnants of the
Original Primal Ketchup in its few remaining molecules.
I couldn’t guess its age, much older than me.

We can never escape the past,
it is our stuff, our formless substance.

Vigil

We put these offerings out
into the blunt nothing of tomorrow,
then wheel about and drift off
impatient to gather more

and all our works and amusements
all delights and suffering
lie unclaimed
sliding into yesterdays

they will waste until our bones
are no more than a smear
beneath a rubble

until we and everything
known to our kind
have vaporized and seeded the cosmos

and somewhere the light is lifting
and fragments gather into wholes

Spring song

Spring is here
the sun rises early
and scoots across the sky
slowing only for high noon

Spring is here
the hawk patrols his highway
field mice scatter
songbirds bicker in the bushes

Spring is here
something – a flower, a tree –
pushes up through the
loose soil of a grave

Spring is here

Traces

Sometimes I follow ancient
trailing wrinkles, vague traces
of paths untaken, no use
to anyone now
after all the promises
have spilled out through
careless whim, unforeseen
swirls of hope and fury
all hung up to dry without regard
to logic or poetry

The crones of darkness linger
beneath a pointed finger, no singer,
but a low murmur, a thin skulking
wink of a man

Sometimes I sit in an empty room
with a bell and ring it,
trying to pinpoint the moment
it stops its waning tone.

That’s how a life is

Relics

Already obsolete
before we know it
like white-haired gramps
parading hot rods

toys lovingly restored
by the unrestored.

Oleg shines his car
lives in a world of
Naugahyde and
cherry red paint.

Today a barista
poured an exact replica
of a certain mountain
in Japan.

I drank it.
Goodbye to my
dreams of Basho.