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About Mikels Skele

Poet. Explainer. Foreigner-at-large.

Precision

The precise forces of living
Hinge on a paper-thin reality
Behind which lurk the illusions
We work so hard to uncover

The precise moment of discontinuity
Comes when we discover
That a lifetime of regrets
Is only a simple misunderstanding

The precise inclination of a heart
Determines the difference
Between love
And death

Fern Hill, by Dylan Thomas

If I had to choose the single biggest influence on my poetry, it would be Dylan Thomas. The wild, unexpected images, at once daring and inevitable, just turned my head as a young man. Here’s one of my favorites.

Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.

All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.

And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace,

Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.

I find the last two lines especially poignant.

Haibun: Cabbages

From the archives, with added background. Perhaps I’m getting lazy, but I saw this with new eyes; I hope you will, too.

Mikels Skele's avatarexiles child

First posted January 2, 2012; augmented today.

I’ve been thinking lately of Barriss Mills, with whom I spent many pleasant afternoons discussing his always future kitchen remodeling plans, and watching him grind coffee in his ancient hand-crank machine, then drinking it with him.  After his retirement from his long career of teaching English literature, he spent time rereading all the classics he taught for decades, and discovered he’d missed teaching his students the most important aspect of them: they’re, above all, damned good stories, well told.  He’s long since gone now.  Concerning poetry, he once told me he’d rather write about cabbages than loftier subjects, which he found rather dreary.  It inspired me to write this haiku.

Forlorn cabbages
In the refrigerator
Silent witnesses

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Insignificance

I read great poets, great beacons,
Their eyes so keen,
Their voices clear as sunlight
With a winter slant, harsh,
But welcome all the same.

Personally,
I’ve grown used to irrelevance,
Come to prefer it.
My history of judgment
Is spotty, at best
My place in the grand confusion
Of existence
Is in the chorus,
Oblivious,
One small voice
Bleating among many,
One fading light
In the great kaleidoscope,
Whispering, more than declaiming,
Twinkling, more than illuminating.

But it’s me, inaudible at times,
Barely discernable,
Me

Inexplicably

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Inexplicably,
In that large gray canyon
A small, summerlit sound filled the air
Like the scent of lilacs
In Springtime

Inexplicably,
All the jewels of childhood,
All the string and willow whips,
Lay before me, and
All my aching heart sang along